The opening act, Alexi Murdoch was outstanding, as well as extremely humble. When he walked on stage, I thought he was a sound-guy, or a roadie. He proceeded to setup his equipment, plug in, and begin his melodies. He thanked the crowd over and over again for ‘listening’. “Usually there is allot of chatter”. He was very good, and fit well with Alanis, along with providing some contrast.

We really enjoyed Alanis’ performance, although it seemed very rushed. She banged through each song without hesitation. She didn’t stop, other than to take a drink of water (and the obligitory pre-encore breaks). This gave us more music, but hurts some of the intimacy. Also, she was visible tired, you could see it on her face. She was exhausted, and it affected her performance. One look at her tour schedule tells the story. A new show nearly every night, in a new city. When there is a gap between shows, it appears that it’s only because the bus can’t go fast enough.

The concert was amazing. I’d do it again if I could. She put on a great show performance as always, even in her sleep. This is how she should always perform; in small intimate theaters where her true fans can enjoy it. The only damper on the night happened afterwards.

My wife and I waited by the backstage door (first time we’ve ever done that) for her to exit. When we got there, about 10 other people were also waiting. We waited for over hour with the other fans, obeying the strict orders of the security guards to stay behind a certain point. Then, a group of teenagers and their mother walked up and stood in front of our group. The security guard attempted to move them back, but they complained, and the guard drew a “new” line. They were in front of us now. Many complained, but the maturity level of the “mom” in question was dwarfed by the surrounding young people. About 10 minutes later, Alanis came out and none of us who were waiting the hour got to see her.

That brings me to another question. How do you get to go backstage? Just before Alanis came on stage, about 12 people came out of the door, sat down (not all near the front). They were backstage. How do you get to go backstage? I know how it works at rock concerts, and it usually involves having your wife dress un-motherly, but what about at an Alanis concert? Curious.

Universal has cut a deal to mount a live-action film based on Sid and Marty Krofft’s ’70s kidshow “Sigmund and the Sea Monsters.” The Kroffts will produce with Jimmy Miller and his Mosaic banner. Julie Darmody is executive producer. Script for “Sigmund” will be penned by Dana Gould, a writer-producer on “The Simpsons.”

This is great news. I’m comforted that a studio would greenlight the project before “Land of the Lost” has even been released. Dana Gould is a funny guy, but I’m not sure about his brand of humor. Most of his comedic writing experience comes from “The Simpsons”, and I don’t believe that type of humor will work with Sigmund.

But, that is what us old-school Krofft fans are supposed to do right? Cast doubt about the way our beloved memories are being handled. I blame it on George Lucas, and how he raped the memories of Star Wars. I think we all expect this to happen with Sid and Marty, and I keep telling myself to trust them and wait until I see the final product.

Of all the Krofft properties, I think Sigmund will appeal to children the most. It takes place in the “real world” (unlike Pufnstuf) and the main characters are kids. This type of story has been done before, but I believe the Krofft brothers can make it even more magical.

Let’s hope that Johnny Whitaker gets a cameo.

Electric Tiki and Sideshow Collectibles are proud to present the first ever mini-bust set based on 70’s super duo ElectraWoman and DynaGirl. This very special “Tooned-Up” mini bust set features the duo in classic poses atop a retro style electro-generator base. Each figure pair is roughly 5.5-inches tall and comes individually numbered in matching numbered sets, and is limited to only 500 sets. Designed by Tracy Mark Lee and sculpted by Karen Palinko.

I’m excited to see all the new toys and collectables that will be coming out with the upcoming “Land of the Lost” movie, and other Krofft creations. This is a good start.

If you’re like me, you’ve already made your own version of this via AudioHiJack Pro or similar application. These songs are so incredibly catchy and entertaining that my 7 year old daughter walks around singing them (and she’s only seen the show twice). If anyone every thought that “Once More, With Feeling” was a lucky shot for Joss, Dr. Horrible should put those nay-sayers in their place.

The track listing is:

• 01. Horrible Theme
• 02. My Freeze Ray
• 03. Bad Horse Chorus
• 04. Caring Hands
• 05. A Man’s Gotta Do
• 06. My Eyes
• 07. Bad Horse Chorus (reprise)
• 08. Penny’s Song
• 09. Brand New Day
• 10. So They Say
• 11. Everyone’s A Hero
• 12. Slipping
• 13. Everything You Ever
• 14. Horrible Credits

Also, Joss has posted liner notes and lyrics over at the Dr. Horrible site. Now you can “sing-along”.

I already have “Bad Horse” as my ringtone.

I’m not talking about the super-cellphone that can read any electronic device, even a highly secure memory card that would NEVER have a radio signal to detect (the radiation it would have given off to activate the card at that range would be deadly). Come to think of it, why couldn’t the device access the alarm system? No, I’m talking about the fact that a two-time prison escapee would NEVER be let out on bail, much less without an arraignment. The TV watching public is all too familiar with how the courts work to fall for this. Then, there is the fact that they were out on bail, never saw a judge, yet were transferred to a federal prison? None of this makes sense, and completely took me out of the show in the first hour.

I understand why they felt this needed to happen. They needed a dramatic reveal for the return of Sarah (even though we knew she was coming back), and an attempt on her/their life to force Michael and Lincoln to take the assignment/deal. They rushed this first hour to get us to the setup (I like to call SD-6) with all the ex-cons working together in the warehouse. We as loyal “Prison Break” viewers deserved to see this play out properly, as well as see the Sona fire and escape. The entire first 2 hour episode should have ended with the Lincoln and Micheal agreeing to the deal. I can’t imagine how new viewers will perceive this show if this is their first exposure. We deserved more.

There was good in this premier. T-Bag’s desert Mexican-meal was a perfect way to remind the audience what kind of person he really is. T-Bag has become a beloved character, and many tend to forget this man is evil and ruthless. I’m glad they started off on the right foot with him.

Then there is the brutal murder of Mahone’s family. Although this was kind of glossed over, it is the single most powerful moment in the 2-hours. His motivation has been to return to a normal family life. Just when it appeared he might, his entire reason for living is taken from him. His emotions should have been explored deeper (instead of the mushy reunion between Sara and Michael). The slaughter also gave us a gruesome introduction to Wyatt, the new bad-guy.

Cress Williams (Wyatt) was an amazing choice. He has such a kind and calm personality that you would never expect him to be so evil. As he talked to the two roommates, sitting calmly at the dining room table, it was peaceful and frightening at the same time. I’m glad he has replaced Gretchen as the “bad-guy”, as everytime she was on the screen last season, I cringed at the terrible acting. Hopefully she spends most of this season bound and gagged.

In all, I was disappointed with the premier. I know that the writers strike was most likely the cause of this rushed opener. I’m sure that much of what we missed (and much of what was in the first hour) was supposed to be the tail end of last season. I can support the SD-6 style missions that it appears the new group will be going on. Again, “Prison Break” has changed formulas; let’s hope it’s a good one.